Taste: The Consumption of Imaginary Boundaries within our Heritage Sites

How can the use of culinary ephemera help marginalized communities challenge traditional practices of archival collection?

This research guide aims to explore how marginalized communities can utilize compiled online resources as lessons and tools for organizing their own archival collections and workshops. The research guide focuses on centring diasporic Black, Indigenous, and racialized individuals who have been displaced throughout history by reflecting on non-traditional categories of archival practices such as oral storytelling, embodied learning, and cooking. The use of food as a means to assert identity, helps marginalized communities to imagine contested places and encourages them to take up space through their senses.

Inspiration is excavated from personal, online spaces (not limited to) such as Sufra Archive أرشيف سفرة and Feast Afrique. The independent curators, Salma Serry and Ozoz Sokoh collected culinary ephemera dedicated to the Southwest Asians and North Africans, and diasporic Africans, respectively. The curators further embody the notion of “nothing about us without us,” as they intimately identify with the history in which they are archiving.

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What you’ll learn

  • Food is a multi-sensory tool, as it can be used to examine and draw ideas surrounding social and economic dimensions of taste distinctions. Various layers of this explorations can be found in propaganda, menus, advertisements, and photographs.

  • Absence-based inference is needed when examining culinary ephemera, as many Black, Indigenous, and racialized resources on food have been told by oral storytelling or otherwise erased.

  • Our archival collections can help us compile knowledge about our food systems, as they teach us about cultural and historical contexts. However, connecting with our communities can help us elaborate on these explorations as we learn more about cooking different cuisines, foodways, and (available/unavailable) ingredients.

Meet your author

Meet your author ♡

Lenora Huỳnh (hear my name)
Master of Information, Archives and Records Management, Food Studies Collaborative Specialization

Outreach and Assessment, TALint at OISE Library
Program Assistant Lead, Faculty of Information (iSchool) EDIU
Chair, Association of Canadian Archivists Student Chapter
Co-Chair, Diversity Working Group 

PronounsENG: She/Her  •  VN: Cô/Chị/Em

As a graduate student, Lenora’s Huỳnh’s primary research interest revolves around Food as Archival Memory, (Trauma), and Record Keeping. Within her positionality as a daughter of Vietnamese boat people, she has learned that many migrant and refugee families rely on food to tell their stories of love, labour, and survival. Expanding beyond archival photographs as memorabilia, Lenora attempts to find new ways for marginalized communities to imagine and explore their histories through culinary ephemera, collective participation as counter-archives, and by using libraries as third spaces.

Important FAQ

  • When creating an online culinary archive, will I need to purchase a domain?

    No. Many individual curators and researchers challenge the traditional digital archive by using a free social media platform, such as Instagram. View The Sufra Archive module to learn more about how Salma Serry uses Instagram to curate and the benefits to using an alternative platform.

  • Should I be concerned about copyright when collecting materials from various libraries and archives?

    This answer relies on the archival or library institution’s policies regarding reproduction and dissemination. This is further dependent on the specific research material’s copyright, Creative Commons Attribution or condition— especially rare books and manuscripts.

    Please view the Canadian copyright law that can be found at the Canadian Intellectual Property Office website.

  • Will I need funding for my collection or workshop project(s)?

    While this library guide does not go into the depths of funding— it is definitely advised to seek ways develop a reciprocal relationship with participants.

    Help regarding financial incentives (ie. honorariums) for those who are participating in your collection or workshop may be found through further, personal research on organizations that have worked with food and/or archival materials.